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Film, television, and digital post-production

Film and Video Editors

Film and video editors take raw footage, sound, graphics, and effects and shape them into a finished story that feels smooth and intentional. The work is distinct because every cut affects pacing, emotion, and clarity, but the job also means living with constant revisions, tight deadlines, and a lot of time in front of screens.

Also known as Video EditorFilm EditorPost-Production EditorOffline EditorDigital Video Editor
Median Salary
$70,980
Mean $83,530
U.S. Workforce
~29K
3.6K openings per year
10-Year Growth
+4%
43.5K to 45.2K
Entry Education
Bachelor's degree
+ None experience

What This Role Looks Like in Practice

Film and Video Editors sits in the Creative category. In practical terms, this role combines day-to-day execution, cross-team coordination, and consistent decision-making under real business constraints.

U.S. employment is currently about ~29K workers, with a median annual pay of $70,980 and roughly 3.6K openings each year. Based on BLS projections, total employment is expected to grow from 43.5 K in 2024 to 45.2K in 2034.

Most hiring paths start with Bachelor's degree in film, video production, media arts, or a related field, and employers typically expect none of related experience. Many careers in this track begin around Production Assistant and can progress toward Post-Production Supervisor. High-value skills usually include Adobe Premiere Pro, Avid Media Composer & Final Cut Pro, Nonlinear Editing, Multicam Cutting & Sequence Assembly, and DaVinci Resolve, Color Correction & Finishing, paired with soft skills such as Active Listening, Critical Thinking, and Reading Comprehension.

Core Responsibilities

A Day in the Life

01 Watch raw footage, pick the strongest takes, and build them into a rough sequence.
02 Trim and rearrange scenes so the story flows naturally and matches the director's notes.
03 Add titles, graphics, transitions, and visual effects where needed.
04 Check timing, color, and sound, then fix anything that feels awkward or unfinished.
05 Review edits with producers or directors and make changes based on their feedback.
06 Manage editing software, project files, and exports so the final cut is organized and ready to deliver.

Industries That Hire

🎬
Film and Television Production
Disney, Warner Bros. Discovery, Paramount Pictures
📺
Streaming Platforms
Netflix, Hulu, Amazon MGM Studios
🧩
Advertising and Brand Agencies
Wieden+Kennedy, Ogilvy, BBDO
📰
News and Broadcast Media
NBC News, CNN, ABC News
💼
Corporate Video and Marketing Teams
Apple, Microsoft, Salesforce

Pros and Cons

Advantages
+ The pay can be solid for skilled editors, with a median annual salary of $70,980 and a mean of $83,530.
+ You can often work from a home office or a shared post-production suite because most of the job happens on a computer.
+ There are no required years of experience or on-the-job training in the BLS data, so a strong portfolio can help you break in faster.
+ The work combines storytelling, timing, and technical problem-solving, so the day-to-day tasks are varied instead of repetitive.
+ With about 3.6K annual openings, people leave and move around often enough to create steady job turnover even though growth is slow.
Challenges
- Job growth is modest at 4.0% over the decade, so the field is not expanding quickly and competition can stay intense.
- A lot of editing work depends on film, TV, ad, and corporate budgets, so project slowdowns can mean layoffs or gaps between contracts.
- The gap between the median pay of $70,980 and the mean of $83,530 shows that earnings are uneven, with a smaller group of editors pulling salaries well above the middle.
- Deadline pressure is built into the job, and late-stage revisions can lead to long hours when a cut needs to be finished quickly.
- AI-assisted editing tools and automated workflows can take over some of the simpler assembly and logging work, which makes the entry-level path less secure than it used to be.

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